10×16 Storage Shed Plans

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10×16 storage shed plans


allan shakar

10×16 storage shed plans may only be one of the things you are looking for before getting started on that back yard project.

No matter what it is you are looking for it is important you get something that isn’t going to give you a headache by the time the day is half over.

We can sit back and watch a carpenter build almost anything and wonder why there is even training in such a trade until we have to do the project ourselves. The thing is when the time comes for you to strap on your tool belt and get to work most people don’t get much further than filling their pockets with nails.

If by some chance you do get the project some what finished you have used a lot more time than you had and ended up with an inferior product. When looking through 10×16 storage shed plans you will quickly see there are at least a minimum of 50 different items that you will need. Some are simple and you will understand what they are right away but others will seem like you are being talked to in a different language.

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Now you see why a carpenter is a trade that involves a lot of skillful training. So now you need to get back to basics. You need to find a set of blueprints and instructions that will hold your hand every step of the way. You are going to want pictures and lots of them. You want exact measurements. You want definitions for the tools and materials that you need and you want exact step by step plans to get your project off the ground.

So welcome to the great world of the Internet where if you try hard enough you can find anything you desire. This includes 10×16 storage shed plans.

The problem still lies in finding the right ones for your project and not the ones that the carpenters are using. In the real world of carpentry there are going to be a large number of terms that you will hear that you will have no clue to their meaning. That’s okay though. Going through life knowing woodworking terminology really shouldn’t be a requirement. That’s why you want something kind of like building sheds for anyone. Something that will work in your favor by giving you real world definitions and exact step by step instructions.

You can be happy in knowing that out there you can find such things. The plans that will make your life easier and you can get started with 10×16 storage shed plans.

You are more than welcome to go in search on the internet for your 10×16 storage shed plans.

Or you can make things much easier and visit Blair’s website. He gives you the access to almost any shed or work project plans you can think of.

While at his website be sure to get your free storage shed plans.

Want to learn more about

10×12 storage shed plans



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Ontario Votes 2007: Interview with Libertarian candidate Mark Scott, Toronto—Danforth

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Thursday, September 27, 2007

Mark Scott is running for the Libertarian in the Ontario provincial election, in the Toronto—Danforth riding. Wikinews’ Nick Moreau interviewed his regarding his values, his experience, and his campaign.

Stay tuned for further interviews; every candidate from every party is eligible, and will be contacted. Expect interviews from Liberals, Progressive Conservatives, New Democratic Party members, Ontario Greens, as well as members from the Family Coalition, Freedom, Communist, Libertarian, and Confederation of Regions parties, as well as independents.

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Four dead, at least 15 injured after gunman opens fire at fitness center in Bridgeville, Pennsylvania

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Wednesday, August 5, 2009

Four people have been shot and killed and at least 15 wounded when a gunman opened fire inside a LA Fitness center in Bridgeville, Pennsylvania. The gunman was among the dead.

Reports say the man walked into a dance room where an all-female Latin dance class was in session, turned off the lights and began to shoot people. CNN reports that the gunman was a “middle-aged white male.” One witness said he was carrying a duffel bag, which he put down before shooting into the crowd. After opening fire, he turned the gun on himself. At least 30 people are reported to have been in the room at the time of the shooting.

Allegheny County police Superintendent Charles Moffatt said, “I’ve never seen nothing quite like this. It was very chaotic. […] There’s a good belief that the shooter is deceased.”

Collier Township Police Chief Tom Devin stated that the police, “believe the shooter committed suicide at the scene but we’re not positive.” Police report that the shooter’s motive may have been a domestic dispute with one of the exercisers.

Mike Hentosz, a witness who was inside the gym, said, “I feel like it’s a dream. I don’t know what to think of it.” A woman participating in the class, Nicole, said that 10 minutes into the class, “a middle-aged white male walked into the class. He had a big gym bag. […] He looked out of place in a class full of women.” When he began firing, she reported, she ran out of the gym and escaped in passerby’s car.

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A portrait of Scotland: Gallery reopens after £17.6 million renovation

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Thursday, December 1, 2011

Today saw Edinburgh’s Scottish National Portrait Gallery reopen following a two-and-a-half-year, £17.6m (US$27.4m) refurbishment. Conversion of office and storage areas sees 60% more space available for displays, and the world’s first purpose-built portrait space is redefining what a portrait gallery should contain; amongst the displays are photographs of the Scottish landscape—portraits of the country itself.

First opened in 1889, Sir Robert Rowand Anderson’s red sandstone building was gifted to the nation by John Ritchie Findlay, then-owner of The Scotsman newspaper and, a well-known philanthropist. The original cost of construction between 1885 and 1890 is estimated at over 70,000 pounds sterling. Up until 1954, the building also housed the Society of Antiquaries of Scotland who moved to the National Museum of Scotland buildings on Chambers Street. The society’s original meeting table now sits in the public part of the portrait gallery’s library, stared down on by an array of busts and phrenological artefacts.

Wikinewsie Brian McNeil, with other members of the press, received a guided tour of the gallery last Monday from Deputy Director Nicola Kalinsky. What Kalinsky described as an introduction to the gallery that previously took around 40 minutes, now takes in excess of an hour-and-a-half; with little in the way of questions asked, a more inquisitive tour group could readily take well over two hours to be guided round the seventeen exhibitions currently housed in the gallery.

A substantial amount of the 60% additional exhibition space is readily apparent on the ground floor. On your left as you enter the gallery is the newly-fitted giant glass elevator, and the “Hot Scots” photographic portrait gallery. This exhibit is intended to show well-known Scottish faces, and will change over time as people fall out of favour, and others take their place. A substantial number of the people now being highlighted are current, and recent, cast members from the BBC’s Doctor Who series.

The new elevator (left) is the most visible change to improve disabled access to the gallery. Prior to the renovation work, access was only ‘on request’ through staff using a wooden ramp to allow wheelchair access. The entire Queen Street front of the building is reworked with sloping access in addition to the original steps. Whilst a lift was previously available within the gallery, it was only large enough for two people; when used for a wheelchair, it was so cramped that any disabled person’s helper had to go up or down separately from them.

The gallery expects that the renovation work will see visitor numbers double from before the 2009 closure to around 300,000 each year. As with many of Edinburgh’s museums and galleries, access is free to the public.

Would you visit the Portrait Gallery if in Edinburgh? What do you think of efforts to improve accessibility?
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The expected significant increase in numbers has seen them working closely with the National Museum of Scotland, which was itself reopened earlier this year after extensive refurbishment work; improved access for wheelchair users also makes it far easier for mothers with baby buggies to access the gallery – prompting more thought on issues as seemingly small as nappy-changing – as Patricia Convery, the gallery’s Head of Press, told Wikinews, a great deal of thought went into the practicalities of increased visitor numbers, and what is needed to ensure as many visitors as possible have a good experience at the gallery.

Press access to the gallery on Monday was from around 11:30am, with refreshments and an opportunity to catch some of the staff in the Grand Hall before a brief welcoming introduction to the refurbished gallery given by John Leighton, director of the National Galleries of Scotland. Centre-stage in the Grand Hall is a statue of Robert Burns built with funds raised from around the British Empire and intended for his memorial situated on Edinburgh’s Calton Hill.

The ambulatories surrounding the Grand Hall give the space a cathedral-like feel, with numerous busts – predominantly of Scottish figures – looking in on the tiled floor. The east corner holds a plaque commemorating the gallery’s reopening, next to a far more ornate memorial to John Ritchie Findlay, who not only funded and commissioned the building’s construction, but masterminded all aspects of the then-new home for the national collection.

Split into two groups, members of the press toured with gallery Director James Holloway, and Nicola Kalinsky, Deputy Director. Wikinews’ McNeil joined Kalinsky’s group, first visiting The Contemporary Scotland Gallery. This ground-floor gallery currently houses two exhibits, first being the Hot Scots display of photographic portraits of well-known Scottish figures from film, television, and music. Centre-stage in this exhibit is the newly-acquired Albert Watson portrait of Sir Sean Connery. James McAvoy, Armando Iannucci, playwright John Byrne, and Dr Who actress Karen Gillan also feature in the 18-photograph display.

The second exhibit in the Contemporary gallery, flanked by the new educational facilities, is the Missing exhibit. This is a video installation by Graham Fagen, and deals with the issue of missing persons. The installation was first shown during the National Theatre of Scotland’s staging of Andrew O’Hagan’s play, The Missing. Amongst the images displayed in Fagen’s video exhibit are clips from the deprived Sighthill and Wester-Hailes areas of Edinburgh, including footage of empty play-areas and footbridges across larger roads that sub-divide the areas.

With the only other facilities on the ground floor being the education suite, reception/information desk, cafe and the gallery’s shop, Wikinews’ McNeil proceeded with the rest of Kalinsky’s tour group to the top floor of the gallery, all easily fitting into the large glass hydraulic elevator.

The top (2nd) floor of the building is now divided into ten galleries, with the larger spaces having had lowered, false ceilings removed, and adjustable ceiling blinds installed to allow a degree of control over the amount of natural light let in. The architects and building contractors responsible for the renovation work were required, for one side of the building, to recreate previously-removed skylights by duplicating those they refurbished on the other. Kalinsky, at one point, highlighted a constructed-from-scratch new sandstone door frame; indistinguishable from the building’s original fittings, she remarked that the building workers had taken “a real interest” in the vision for the gallery.

The tour group were first shown the Citizens of the World gallery, currently hosting an 18th century Enlightenment-themed display which focuses on the works of David Hume and Allan Ramsay. Alongside the most significant 18th century items from the National Portrait Gallery’s collection, are some of the 133 new loans for the opening displays. For previous visitors to the gallery, one other notable change is underfoot; previously carpeted, the original parquet floors of the museum have been polished and varnished, and there is little to indicate it is over 120 years since the flooring was originally laid.

Throughout many of the upper-floor displays, the gallery has placed more light-sensitive works in wall-mounted cabinets and pull-out drawers. Akin to rummaging through the drawers and cupboards of a strange house, a wealth of items – many previously never displayed – are now accessible by the public. Commenting on the larger, featured oils, Deputy Director Kalinsky stressed that centuries-old portraits displayed in the naturally-lit upper exhibitions had not been restored for the opening; focus groups touring the gallery during the renovation had queried this, and the visibly bright colours are actually the consequence of displaying the works in natural light, not costly and risky restoration of the paintings.

There are four other large galleries on the top floor. Reformation to Revolution is an exhibition covering the transition from an absolute Catholic monarchy through to the 1688 revolution. Items on-display include some of the Scottish National Portrait Gallery’s most famous items – including Mary Queen of Scots and The Execution of Charles I. The portrait-based depiction of this historical age is complemented with prints, medals, and miniatures from the period.

Imagining Power is a Jacobite-themed exhibition, one which looks at the sometime-romanticised Stuart dynasty. The Gallery owns the most extensive collection of such material in the world; the portraiture that includes Flora MacDonald and Prince Charles Edward Stuart is complemented by glassware from the period which is on-loan from the Drambuie Liqueur Company which Kalinsky remarked upon as the only way Scots from the period could celebrate the deposed monarchy – toasting The King over the Water in appropriately engraved glasses.

On the other side of the upper floor, the two main naturally-lit exhibitions are The Age of Improvement, and Playing for Scotland. The first of these looks at societal changes through the 18th and 19th centuries, including Nasmyth’s 1787 portrait of the young Robert Burns and – well-known to past visitors to the portrait gallery – Raeburn’s 1822 depiction of Sir Walter Scott. These are complemented with some of the National Gallery’s collection of landscapes and earliest scenes from Scottish industry.

Playing for Scotland takes a look at the development of modern sports in the 19th century; migration from countryside to cities dramatically increased participation in sporting activities, and standardised rules were laid down for many modern sports. This exhibition covers Scotland’s four national sports – curling, shinty, golf, and bowls – and includes some interesting photographic images, such as those of early strong-men, which show how more leisure time increased people’s involvement in sporting activities.

Next to the Reformation to Revolution gallery is A Survey of Scotland. Largely composed of works on-loan from the National Library of Scotland, this showcase of John Slezer’s work which led to the 1693 publication of Theatrum Scotiae also includes some of the important early landscape paintings in the national collection.

The work of Scotland’s first portrait painter, the Aberdeen-born George Jamesone, takes up the other of the smaller exhibits on the east side of the refurbished building. As the first-ever dedicated display of Jamesone’s work, his imaginary heroic portraits of Robert the Bruce and Sir William Wallace are included.

On the west side of the building, the two smaller galleries currently house the Close Encounters and Out of the Shadow exhibits. Close Encounters is an extensive collection of the Glasgow slums photographic work of Thomas Annan. Few people are visible in the black and white images of the slums, making what were squalid conditions appear more romantic than the actual conditions of living in them.

The Out of the Shadow exhibit takes a look at the role of women in 19th century Scotland, showing them moving forward and becoming more recognisable individuals. The exceptions to the rules of the time, known for their work as writers and artists, as-opposed to the perceived role of primary duties as wives and mothers, are showcased. Previously constrained to the domestic sphere and only featuring in portraits alongside men, those on-display are some of the people who laid the groundwork for the Suffrage movement.

The first floor of the newly-reopened building has four exhibits on one side, with the library and photographic gallery on the other. The wood-lined library was moved, in its entirety, from elsewhere in the building and is divided into two parts. In the main public part, the original table from the Society of Antiquaries sits centred and surrounded by glass-fronted cabinets of reference books. Visible, but closed to public access, is the research area. Apart from a slight smell of wood glue, there was little to indicate to the tour group that the entire room had been moved from elsewhere in the building.

The War at Sea exhibit, a collaboration with the Imperial War Museum, showcases the work of official war artist John Lavery. His paintings are on-display, complemented by photographs of the women who worked in British factories throughout the First World War. Just visible from the windows of this gallery is the Firth of Forth where much of the naval action in the war took place. Situated in the corner of the room is a remote-controlled ‘periscope’ which allows visitors a clearer view of the Forth as-seen from the roof of the building.

Sir Patrick Geddes, best-known for his work on urban planning, is cited as one of the key influencers of the Scottish Renaissance Movement which serves as a starting point for The Modern Scot exhibit. A new look at the visual aspects of the movement, and a renewal of Scottish Nationalist culture that began between the two World Wars, continuing into the late 20th century, sees works by William McCance, William Johnstone, and notable modernists on display.

Migration Stories is a mainly photographic exhibit, prominently featuring family portraits from the country’s 30,000-strong Pakistani community, and exploring migration into and out of Scotland. The gallery’s intent is to change the exhibit over time, taking a look at a range of aspects of Scottish identity and the influence on that from migration. In addition to the striking portraits of notable Scots-Pakistani family groups, Fragments of Love – by Pakistani-born filmmaker Sana Bilgrami – and Isabella T. McNair’s visual narration of a Scottish teacher in Lahore are currently on-display.

The adjacent Pioneers of Science exhibit has Ken Currie’s 2002 Three Oncologists as its most dramatic item. Focussing on Scotland’s reputation as a centre of scientific innovation, the model for James Clerk Maxwell’s statue in the city’s George Street sits alongside photographs from the Roslin Institute and a death mask of Dolly the sheep. Deputy Director Kalinsky, commented that Dolly had been an incredibly spoilt animal, often given sweets, and this was evident from her teeth when the death mask was taken.

Now open daily from 10am to 5pm, and with more of their collection visible than ever before, the Scottish National Portrait Gallery will change some of the smaller current exhibits after 12 to 18 months on display. The ground-floor information desk has available five mini-guides, or ‘trails’, which are thematic guides to specific display items. These are: The Secret Nature trail, The Catwalk Collection trail, The Situations Vacant trail, The Best Wee Nation & The World trail, and The Fur Coat an’ Nae Knickers Trail.

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7 Questions To Consider Before Selecting A Perfect Destination For Corporate Events}

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7 Questions to consider before selecting a perfect destination for corporate events



A meeting planner needs to take a lot of decisions before planning an event and this includes picking an appropriate meeting venue and hotel, selecting right beverage and food, sourcing proper transportation services and hiring best speakers. However, choosing the right destination is the biggest point and with so many cities, arriving at the right destination seems a daunting task. However, consider few key points that are the checklist and decide on.

1. What is of importance to the group? Your corporate event destination should be chosen considering your attendees. What do they like, a cheaper meal option or have a desire for gourmet restaurants. Do they like walking or just wish to be shuttled. Are they concerned about mainstream attractions or want a regional destination and do they prefer traveling to long distances. Give importance to the tastes and preferences of your attendees.

2. Will the group fit into the destination? No matter how popular a city is. It is very important to know if your corporate group will find the destination a good match. Check for the destination to fulfill these:

Is there enough physical spaces

Enough hotel rooms and sufficient square footage

Is it a great center of attention even in a small city

Now that you know the group, ask for yourself, if it is okay for the group to have the corporate event.

3. How to get around? Evaluate the capabilities of your attendees, will the city offer easy access, are there non-stop flights, transportation costs to the destination. Is there light rail or mass transit or do the attendees need to spend on cabs to reach the destination. Narrow your search and check on related amenities to make it a perfect destination.

4. What is the infrastructure? Many destinations claim to offer the best fit, whether you plan a hotel for in-house meeting or consider a convention facility. Understand the spaces of meeting arranged, do the layout work for the event, and are the hotel away from the convention center and do they connect with some walkways.

5. Is there enough things to do? Find out if the destination has lots to offer, is it fun, unique and interesting, do they have amenities away from the meeting space, including culture, restaurants, entertainment and outdoor activities. Is everything located conveniently from the property and are they within walking distance? Is the city safe on foot to explore, particularly in the evening hours?

6. Is it worth spending? Comprehend the overall cost and value of holding a meeting. Is this place the right destination or is it worth going to some affordable city less attractive, but may cost less.

What is your meeting ROI to that destination? consider the meeting attendees number to decide the tier of the city and considering affordable does not mean looking for cheap alternatives.

7. Does the destination have an appeal? The destination should have something that people would love to visit. The first tier cities offer broad appeal, while the second and third tiers have allure to fair share. Thus, research a destination, know its culture and ensure it is special and unique.

You can either choose to follow all these pointers or choose conference venues Torquayfor business events Surf CoastArticle Source: eArticlesOnline.com


NYC Transit asks members to ratify new contracts

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Wednesday, December 28, 2005

A tentative contract agreement has been struck, five days after New York City was ground to a halt in a transit strike. The executive board of the Transport Workers Union (TWU) Local 100 and the Metropolitan Transportation Agency (MTA) had been negotiating under a media blackout, but terms of the agreement have started to come to light: A 3% increase in salary the first year, 4% increase the second year, and a 3.5% increase in their third year. There will be no changes in the employees’ pension plan and the retirement age remains at 55 in exchange for employees contribution of 1.5% of their paycheck.

The new contract still must be approved by the state-run authority’s board, whose next regular meeting is on January 25, 2006. There is no word yet if a special meeting will be called.

The Union’s workers will vote by mail, a process which may take weeks to complete.

Union members probably will ratify the contract because it would be “near suicidal” to strike again, says Gary Chaison, professor of labour relations at Clark University in Worcester, Massachusetts.

Thirty-four thousand Transport Workers Union members walked off the job on December 20, when negotiations broke down over disagreements concerning pensions, health benefits, and pay. The strike, which lasted three days, affected an estimated 7 million commuters daily.

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Car Parking Near Leeds And Bradford For Christmas

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Car parking near Leeds and Bradford for Christmas


Tom Jui

Car parking in Leeds and Bradford can become very expensive in the run up to busy times of the year such as the festive season.

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This year, Leeds and Bradford parking will be made as cheap as chips as it will actually become free in the final weekend run up to Christmas. Car parking in Leeds city centre or in Bradford can be very expensive, so Leeds city council has decided to waive the usual car parking charges for those shoppers parking their cars in Otley. This car parking incentive will come as an early Christmas present for many shoppers who will be putting the final touches to their Christmas shopping. Leeds city council has announced car parking near Leeds will be free in Otley on Saturday 11 and 18 December. The car parks that will see the usual 40p per hour charges waived include those at Courthouse Street, North Parade and Beech Hill. In total almost 250 car parking spaces will be available to shoppers to use free of charge. The decision has been made after the town’s council tried to make car parking free during the festive period from 27 November until 8 January. It was hoped that such a move will encourage more shoppers to come into the town to get their Christmas shopping. Speaking to The Wharfedale Observer, president of Otley’s District Chamber of Trade and Commerce, Trevor Backhouse said he now hopes this will encourage more people to stay in the town for longer. He said: ” This is absolutely fantastic news- it is just what everybody wants. “We are supporting traders as a chamber and it is nice to see the city council actually doing something that will everybody- shoppers, shopkeepers and visitors too.” It is now hoped that the scheme will give a much needed boost to the local economy over the next few weeks.

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Leeds Airport Car Parking


Leeds Bradford Parking

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Australian Van Nguyen executed in Singapore

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Friday, December 2, 2005

Convicted Australian drug trafficker Van Tuong Nguyen was executed at Changi Prison in Singapore today. Prison officials have confirmed the execution took place at 0900 AEDT (2200 UTC Thursday).

The 25-year-old Nguyen was arrested at Changi Airport in December, 2002, while in transit from Cambodia to Australia. He was found to be in possession of 396.2 grams of heroin. He was convicted in the Singapore High Court and sentenced to death under the Misuse of Drugs Act which mandates a death sentence for trafficking more than 15 grams of heroin.

All appeals for clemency were rejected. Singapore’s High Commissioner in Australia, Joseph Koh, said Singapore carefully considered appeals from Australia but decided the law must be applied consistently. “It had to treat Nguyen consistently with similar past cases, and apply the law equally to Singaporeans and foreigners,” Mr Koh said.

After saying goodbye to his client, Nguyen’s Australian lawyer, Julian McMahon, said Nguyen’s execution was a waste. “He is completely rehabilitated, completely reformed, completely focused on doing what is good and now they’re going to kill him,” he said.

It was previously reported that Nguyen’s mother would not be permitted to embrace her son before the execution, however, Mr McMahon has confirmed that they were allowed some physical contact. “Well I actually wasn’t in the room when that happened but there was a grill and they were able to hold each other’s hands and Kim was able to, at least for some time, I’m not sure how long, was able to touch Van on the face,” he said. “She told me she was able to talk to him and touch his hair. That was a great comfort to her.”

Prayer vigils were held outside Changi Prison and around Australia to mark the first execution of an Australian since Michael McAuliffe in Malaysia in 1993. Nguyen’s body is expected to be returned to Australia on Saturday for a funeral next week.

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Food with cancer-causing dye recalled in Britain

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Saturday, April 30, 2005

The British Food Standards Agency (FSA) has announced a recall of foods containing banned dyes which increase the risk of cancer. The food products were sold at the Tesco, Waitrose, and Somerfield supermarkets.

A Bristol company called “Barts Spices” found the illegal Para Red substance in their Barts Ground Paprika, which was sold in 48g and 46g jars with a “Co-op” label. The batch codes on the affected products are 5032 and 5089 (expiration Dec 2007), and 5075 (expiration February 2007).

Tesco also found that their 130g package of BBQ rice cakes (expiration November and December 2005) contained both Para Red and Sudan I.

“It would be very prudent to assume that it could be a genotoxic carcinogen,” FSA scientific advisers told reporters.

“As a company committed to supplying only the very finest quality food ingredients, we took the immediate decision to withdraw our ground paprika spice from all outlets selling the product and advertised a product recall in the national press,” a Barts Spices spokesman said in a statement.

Sudan I is only authorized for industrial use to colorize petroleum products, such as shoe polish. Para Red and Sudan I are banned under the British Colours in Food Regulations of 1995.

Britain last went through a major food recall in February, when Worcester Sauce was found to contain chili powder dyed with Sudan 1.

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Canadian top court strikes down private medicare ban in Quebec

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Thursday, June 9, 2005

Canada’s top court has struck down Quebec’s bans on private health care insurance, citing an increased risk to the life and health of Canadians. [1]

The Supreme Court of Canada ruling looked into a patient’s right to pay for faster service in a system that currently treats patients on the basis of equal access to medical care, regardless of income. [2]

Quebec patient George Zeliotis, a chemical salesman who waited in pain for more than a year in 1997 to have his hip replaced, said he should have had the right to pay for surgery.

Under public health care, it’s forbidden to pay for services covered under the system.

Despite free medical treatment, there are often long waiting lists for operations and services with current public health care.[3]

Together with physician, Dr. Jacques Chaoulli, Mr. Zeliotis launched a challenge to the Supreme Court of Canada, after losing their fight in Quebec’s lower courts, arguing that having to wait for surgery violates a patient’s constitutional right to life, liberty, and security of the person. [4]

Mr. Zeliotis and Dr. Chaoulli argued that being able to pay for private medical services wouldn’t be detrimental to the public health care system.

The Quebec Superior Court and the Quebec Court of Appeal had dismissed the case, ruling that the provincial law’s intent was not to discriminate among patients and to provide health care based on need rather than a patient’s ability to pay.

The Canadian Medical Association said the Superior Court of Canada ruling could “fundamentally change the health-care system in Canada as we now know it” but declined to comment any further until it had time to study the decision. [5]

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